Exposiciones Basreliefs dans une forêt d'éponges Yves Klein
The artist with Iris Clert at the opening of his exhibition at Galerie Iris Clert, in Paris, June 1963. In accepting to have a show at her gallery he asked Clert, "How could it be anything but black?
Iris.time L'artventure d'Iris Clert
Details Yves Klein (1928-1962) Untitled Blue Monochrome (IKB 266) dry pigment and synthetic resin on gauze mounted on panel 4½ x 6¾in. (11 x 17cm.) Executed in 1957 Provenance Galerie Iris Clert, Paris. Collection Helene Lassaigne, Paris. Galerie 1900-2000, Paris. Galerie Gmurzynska, Zurich. Acquired from the above by the present owner. Exhibited
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Iris Clert s'essaie à la galerie associative du Haut Pavé, en exposant sa sélection d'artistes sur un créneau réduit, de 17 h à minuit. Dans une époque dominée par la Nouvelle École de Paris, qui semble nier la vitalité du marché de l'art new-yorkais, peu de possibilités sont offertes aux expériences audacieuses de jeunes.
Entrance of Iris Clert Gallery, during the opening of Yves Klein’s The
Arman, Le Plein, Galerie Iris Clert, 1960. The invitations. Yves Klein, Récit du vernissage de l'exposition "Epoque pneumatique, la sensibilité picturale immatérielle à l'état matière première" à la Galerie Iris Clert, 28 avril 1958
Iris Clert
VARIA. Clément Dirié. La galerie Iris Clert, 1956-1961 : se lancer et s'affirmer dans le monde de l'art «L'histoire de l'art moderne est inséparable de celle de quelques galeries pionnières qui, en leur temps, ont su réunir les œuvres et les artistes qui devaient marquer leur époque.
Two Exhibitions at Iris Clert Gallery, Paris Yves Klein’s Le Vide… SOCKS
Robert Rauschenberg, "Ritratto di Iris Clert", 1960. Aerostatic sculpture in front of the Galerie Iris Clert during the exhibition "Propositions monochrime", Paris, 10-25 May 1957 ©Yves.
Iris Clert, Jean Tinguely et Marcel Duchamp avec les métamatics de
Galerie Iris Clert, Paris, France "In order to attain this indefinable of Delacroix that is the essence of painting, I became a specialist of space, which is my ultimate way of treating color. It is no longer a question of seeing color, but rather of perceiving it.
Two Exhibitions at Iris Clert Gallery, Paris Yves Klein’s Le Vide… SOCKS
Iris Clert : few names of gallery owners love as much as this one.For generations of art lovers, she remains the flamboyant icon of the post-war Parisian artistic effervescence. After a first book dedicated to Jean Fournier published in 2018, the Comité Professionnel des Galeries d'Art is proud to dedicate the second opus of the Art Gallery Collection to Iris Clert.
[ Galerie Iris Clert Archives photographiques ]... lot 297 Livres
1971, Galerie Iris Clert, 28 Faubourg Saint Honoré, Paris 8 e. 5 mai Abstrels, sculptures électroniques, Jacques Potin; 1972, Galerie Iris Clert, 28 Faubourg Saint Honoré, Paris 8 e, puis 3, rue Duphot, Paris 1 er. 15 mai Acquisition du Stradart, Le Poids Lourd Culturel. Défilé de la « Nuit du Faubourg Saint-Honoré »
Photographies Iris Clert à une course de cafards Yves Klein
The Galerie Iris Clert would become the venue for several of the most important and revolutionary exhibitions of the period, including Fontana's own. She showed his Nature , his large, rough, penetrated globe-like sculptures, as part of a two-gallery show at her new premises on the rue du Faubourg Saint-Honoré in 1961 and his 'celestial eggs.
12 De galerías. El encantador 'je ne sais quoi' de Iris Clert Abre
The single-room gallery The Iris Clert Gallery (Galerie Iris Clert in French) was an art gallery named after its Greek owner and curator, Iris Clert. The single-room gallery was located on 3 rue des Beaux-Arts in Paris, France.
Ressources Yves Klein, Iris Clert et Rotraut au vernissage de l
Washington, DC Yves Klein Hirshhorn Museum and Sculpture Garden By Nuit Banai IN 1958, YVES KLEIN scandalized the Parisian public by presenting nothing but a whitewashed room with a lone, empty vitrine at Galerie Iris Clert. The exhibition, known as " Le Vide " (The Void), was marked by the momentousness of its opening.
Iris CLERT Dictionnaire créatrices
The prominent Irish critic, Brian O'Doherty elevated the mythology of the pristine white exhibition space into public discourse in the 1970s, drawing attention to the white cube convention for gallery spaces, not as a blank or neutral container, but as a historical construct.
Galerie Iris Clert, 1971 Archiwum Eustachego Kossakowskiego Muzeum
Galerie Iris Clert, 3, rue des Beaux-Arts, Paris, France: Dimensions: 530 x 310 x 280cm: En relation. Artworks. Artwork, 1958 Project of blue lighting of the Obelisk, Place de la Concorde, Paris. Documents. Document, 1958 Albert Camus, Note written following the opening of the exhibition known as "The Void"
Photographies Vue de l'exposition "Vitesse pure et stabilité
It was open from 1955 to 1976 and during that time housed artworks from many successful and influential artists of the time, including Yves Klein, Jean Tinguely, Arman, Takis and René Laubies.was located on 3 rue des Beaux-Arts in Paris, France.
an old black and white photo of a store front with cars parked in front
1 of 6 Summary of Arman Arman is most associated with the Nouveau Réalisme (New Realism) movement that emerged in 1960, and which represented France's response to the trend of Pop art that was sweeping Europe and the United States.